R. M. M.

BOOKENDS

•

W RITING thirty years after the original publication of his two-volume "History of American Art," Sadakichi Hartmann says, "Most of

•

I F "The Old Gang and the New Gang" were actually addressed to the Mr. and Mrs. Everybody of the

•

One could overlook the lack of plot in "Ein Nacht im Paradies," if it had any of the qualities that

•

This is a book that will have of necessity a limited appeal. It is neither the sort of thing that

•

THE modern reader seldom realizes that most Elizabethan, Jacobein, and Restoration lyrics were written to be sung; and as a

•

M USIC in its purity is so abstract an art that criticism of it either has been made up of

•

I N "Everything's Rosy," O. Soglow of New Yorker fame has made clever use of the physical device of color

•

A N undergraduate recently went to New York for the express purpose of gathering together as many as possible of

•

T HE appearance of this slim volume, the first story from the pen of Barrio in almost thirty years, comes

•

W ITH the publication of "The Past Recaptured," the translation of Marcel Proust's great novel, "A la Recherche du Temps