Crimson staff writer
Sara R. Eyjolfsdottir
Latest Content
‘The White Lotus’ Season 3 Review: Lorazepam, Tsunamis, Buddhism, and a Gold Mine of Untapped Potential
“The White Lotus” has always been a social commentary first and murder mystery second.
‘Sacramento’ Review: Road Trip Comedy Proves Life is in Fact a Highway
By being mercifully short, the film also manages to still deliver somewhat of a punch despite not having one singular climax or turning point in the plot.
‘The Wizard of THUD’ Review: THUD’s Drum-Believable Spring Performance
“The Wizard of THUD” provided an enjoyable and engaging display of some of the most impressive percussive and creative talent on Harvard’s campus.
‘Apple Cider Vinegar’ Review: A Healthy Reminder Not to Believe Everything You See Online
The six-episode series is packed with depth and nuance.
‘Wish List Games’ Review: Prime Video’s Newest Game Show Lacks Competition
Ultimately, it is simply not entertaining to watch a grown man play Amazon-themed Jenga for fifteen minutes, regardless of whether an electric keyboard is on the line.
Katherine M. Burstein ’25 and Julia A. Mansfield ’25 on the Revival of Winthrop’s ‘The Lion Rampant’
Roommates Katherine M. Burstein ’25 and Julia A. Mansfield ’25 discuss their revival of "The Lion Rampant," a Winthrop house literary magazine.
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Successfully Tackles Dating Shows, Misogyny, and Serial Killers
Refusing to glamorize Alcala, Kendrick’s refreshing interpretation of this ’70s true crime case is able to do the story justice.
MIT Open Space Programming Fall Party: Chai and Jazz Galore
Complete with food trucks, free hot seasonal drinks, face painting, and more, Fall Party fostered a sense of belonging in the shared space.
Hitchcock’s Title of “Master of Suspense” Lives On
Hitchcock’s undeniable ability to push the boundaries of the thriller genre has made him have one of the most long-lasting marks in the film industry.
‘Monsters: The Lyle and Erik Menendez Story’ Review: Twisted Retelling of a 1989 Murder Case Fails to Justify its Own Creation
“Monsters” is the perfect example of how true crime often has no business being dramatized.