Crimson staff writer
Gwendolyn M. Ibarra
Latest Content
From Boston Calling 2024: Khruangbin Soars
Khruangbin weaved diverse languages, audio distortions, and music styles to create a stunning performance.
From Boston Calling 2024: Ed Sheeran’s Looper Pedal is “Perfect”
As a one-man-act, Sheeran flawlessly performed his songs and covers in a feat that required multitasking and a breadth of experience.
From Boston Calling 2024: Sunday Sound Bites
A collection of sound bites from Boston Calling's Sunday performances, including Chappell Roan and Megan Thee Stallion.
From Boston Calling 2024: Saturday Sound Bites
A glimpse into each of Boston Calling's Saturday acts, from The Castellows to Paper Lady to Jessie Murph.
From Boston Calling 2024: Friday Sound Bites
The Boston Calling Music Festival kicked off with a bang on Friday as fans thronged into Harvard's Athletic Complex to get a glimpse of their favorite artists.
From Boston Calling Music Festival 2024
The Harvard Crimson sends staff writer Gwendolyn M. Ibarra '26 across the river to cover the 2024 Boston Calling Music Festival.
Portugal. The Man Concert Review: Boston Feels It Still
The combined efforts from Portugal. The Man and SNACKTIME featured a call and response between Gourley, Howk, and Furaha-Ali that was sublime.
Madi Diaz Concert Review: Crying in Cambridge
From start to finish, the performance felt like a glimpse into Madi Diaz’s diary.
From Re:SET Concert Series: boygenius Rejects Girl Group Status
Replacing the hedonistic themes of rock and roll, boygenius sang of unconditional love from a gay perspective utilizing rock iconography.
‘[intervals]’ Review: HRMDC Brings Meaning to Everyday Intervals
Overall, the show’s choreography helped express the central theme of “[intervals]” and its many different perceptions.