Crimson staff writer
J.J. Moore
Latest Content
From Cannes: ‘All We Imagine As Light’ Illuminates Resilience in Love and Life
“All We Imagine as Light” is a remarkable film that seamlessly blends visual poetry with a profound exploration of personal and societal change.
From Cannes: ‘The Apprentice’ is a Riveting Portrayal of Trump’s Early Ambitions
“The Apprentice” distinguishes itself through its focus on character development and period authenticity.
From Cannes: ‘Grand Tour’ is a Hidden Gem
“Grand Tour” by Portuguese auteur Miguel Gomes proves to be one of the year’s most captivating cinematic masterpieces.
From Cannes: ‘Anora’ is Sean Baker’s Latest Masterpiece
Baker’s “Anora” ultimately reaffirms his status as a poet laureate of the hustler class, capturing the beauty and struggle of his characters.
From Cannes: ‘Emilia Perez’ is a Daring and Surprising Musical
Jacques Audiard's newest film "Emilia Perez" has an audacious nature that ensures it will be a talking point long after the festival buzz subsides.
From Cannes: ‘Motel Destino’ is Filled with Desire and Desperation
“Motel Destino” is more than just a setting; it is a character in its own right.
From Cannes: ‘Kinds of Kindness’ is a Twisted Triptych
Known for his unconventional style, Yorgos Lanthimos returns to his roots with his newest film “Kinds of Kindness.”
From Cannes: ‘The Substance’ is a Sparkling and Divisive Body Horror
It is nearly unimaginable to not feel seen by French director Coralie Fargeat’s “The Substance,” which premiered at the 77th Annual Cannes Film Festival.
Listicle: Films to Watch on 4/20
The best, unofficial holiday is just around the corner and picking the right movie is key to maximizing the 4/20 experience.
From the Boston Underground Film Festival: ‘Humanist Vampire Seeking a Consenting Suicidal Person’ Review: Not the Average Vampire Flick
While vampire stories are often interlinked with romance, this is a movie that breaks the norm and does so thoughtfully and hilariously.