Crimson staff writer
Hannah E. Gadway
Latest Content
‘Romeo and Juliet’ Review: The A.R.T. Keeps It Classic
Despite some creative shortcomings, the A.R.T.’s production of “Romeo and Juliet” supplements the emotional power of its tragedy with fantastic choreography.
‘Graveyard Shift’ Review: A Charming, if Predictable, Novella
M. L. Rio is sure to please her cult following with her latest novella, "Graveyard Shift," but the promising plot needs another fifty pages to be truly great.
‘Clancy’ Review: Twenty One Pilots Successfully Cap Off a Decade-Long Narrative
All good things must come to an end, and “Clancy” proves that letting go, despite feeling bittersweet, can sometimes be for the best.
Concert Review: Hozier Enchants Saratoga Springs
Hozier’s show at the iconic venue was a testament to his ability to enchant audiences of thousands with music alone.
‘Backslide’ Single Review: Surprisingly Forward-Thinking
The song is not overly complex, but it proves that Twenty One Pilots are an ever-evolving band.
‘All Our Yesterdays’ Review: If Macbeth Were Boring
“All Our Yesterdays” reflects a larger problem with the state of adaptation — often, authors needlessly desire to directly attach themselves to older works.
‘The Tragedy of Julius Caesar’ Review: Some Hits, Some Misses
The Hyperion Shakespeare Company’s version of "The Tragedy of Julius Caesar" felt the most relevant when it stayed grounded in the streets of Rome.
What the Lobster Roll Means to Maine
While tourists may see lobster rolls as an expensive dish, lobstermen see them as a way to keep the lights on throughout the year.
‘Challengers’ Review: Too Hot to Handle Itself
While its script is intriguing, "Challengers" tries to differentiate itself from the sports genre too dramatically with technical elements and sexual subplots.
‘Next Semester’ Single Review: Genre-Defying, Per Usual
The song does not take on the tone of a single genre, instead adapting itself to the unique sound Twenty One Pilots is known for.