Crimson staff writer
Hannah E. Gadway
Latest Content
The Music is Inside: Favorite Album Cover Art Vignettes
Here are some of The Crimson’s Arts Board’s favorite album covers, including some reflections on the music inside.
‘Joker: Folie à Deux’ Review: You Get What You Deserve
Nonetheless, the movie’s lack of thematic vision, poorly crafted script, and self-indulgence make the Joker’s second punchline fall disappointingly flat.
‘The Comeback’ Review: Healing Red Sox Nation’s Hearts
“The Comeback” is everything that a sports documentary needs to be — exciting, endearing, and emotional.
Judah & The Lion Concert Review: Trust the Process
Judah & The Lion’s live performances are a comforting reminder that we are all in this journey of life together.
Amba Review: A Delightful Addition to Cambridge
Amba is not necessarily revolutionary, but it makes smart choices and delivers on quality.
‘Dalí: Disruption and Devotion’ Review: Getting to Know Dalí at the Museum of Fine Arts, Boston
This collection puts Dalí in context and shows the artist’s connections to different art genres.
Parkside Bookshop Opens in Boston’s South End
South End's new bookstore, Parkside Bookshop, opened near Peters Park on Sept. 2. The owner aims to create a welcoming community space.
‘We Live in Time’ Review: A Bit Off Tempo
Pugh and Garfield deliver compelling performances, but "We Live in Time" overall lacks the directorial vision that could have made it truly shine.
Pagu Restaurant Review: Looking Beyond the Plate
Pagu stands on the line between marrying and pairing two types of cuisine, and it insufficiently communicates this questionable attempt to visitors.
‘Romeo and Juliet’ Review: The A.R.T. Keeps It Classic
Despite some creative shortcomings, the A.R.T.’s production of “Romeo and Juliet” supplements the emotional power of its tragedy with fantastic choreography.