Contributing writer
Andrew R. Chow
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The Highs and Lows of Governors Ball 2014
For the second year in a row, contributing writer Andrew R. Chow is our eyes and ears into the annual Governors Ball, held on Randall's Island, New York City. This year, the festival featured everything from impressively executed banter to an offensively stupid shirt.
“Turn Blue” Lacks the Blues
"Turn Blue” shows The Black Keys folded firmly into the mainstream, picking up tired grooves from Danger Mouse that he probably left lying around his studio two years ago.
"Daisy" Deals with Fear in the Atomic Age
The atomic bomb has long been a source of American fascination and horror. But what happens when the bomb shelter is more terrifying than the bomb itself? “Daisy,” a new play written by Simon A. de Carvalho ’14 and directed by Max R. McGillivray ’16, explores this question in the claustrophobic confines of the Loeb Ex from April 30 to May 3.
Hear Me Out: Wu-Tang Clan, "Keep Watch"
There isn’t a classic verse on "Keep Watch," nor the urgency or camaraderie that Wu-Tang displayed on “36 Chambers” 20 years ago, but “Keep Watch” still has plenty of attitude and slick wordplay.
Artist Spotlight: Isabel Allende
Isabel Allende starts writing every year on January 8 and has produced nearly a novel a year since 1998. Her latest, “Ripper,” is her first foray into crime fiction and tells the story of a teen sleuth in San Francisco trying to track down her mother’s killer
Excellent, Uproarious "Company"
Some pieces of art offer an escape from reality, and others punch you in the gut. I left the Harvard-Radcliffe Dramatic Club’s production of “Company” in Farkas Hall on Sunday gasping for air. The show, directed by Dana Knox and Rose C. Bailey ’14, attacked every note in the Sondheim-penned songbook, sometimes sarcastically and sometimes tenderly. The result was a brutally awkward and emotionally wrecking show carried by a set of moving individual performances; each served as a searing indictment against shallow societal constructions, false relationships, and self-imposed isolation.
Lucius
This is one of the few moments in which Laessig isn’t fully composed. The rest of the time, in interviews and during shows, the two Berklee musicians are ridiculously poised, so much so it’s easy to think Lucius might have been thought up by some industry whiz. But they weren’t—the composure, the songwriting, the vocals, and the style are all the hard work of Lucius themselves.
Caspian
It takes 30 minutes to get from the sleepy seaside town of Beverly into downtown Boston. It takes half of that time to get through “Sycamore,” the 2009 anthem of Beverly band Caspian, but the journey is essentially the same. The songs starts with an acoustic guitar line so sleepy, hesitant, and peaceful it’s difficult to imagine even leaving that sonic space.
Charmingly Ghetto
“Peace man. It’s CG. I believe we can blur the lines of academia and hip-hop in a very subtle way. Get the ball rolling with new leaders of industry at esteemed Ivy institutions, etc. All through what we converse about, you know? Peace.” This is the first text message I receive from Charmingly Ghetto, the Boston rapper I’ve chosen to profile next for this column.
A Conversation with Ang Lee
Over his 21 years as a professional director, Ang Lee has explored many challenging and riveting stories through cinema. On Friday, Lee participated in a symposium at the Harvard Sackler Museum celebrating his diverse works.