Crimson staff writer

Caleb J.T. Thompson

Latest Content


"Gravity" a Breathtaking Success

In its admirable fidelity to scientific accuracy and the look and feel of 21st-century intergalactic travel, Alfonso Cuarón's “Gravity” attains a level of grounded reality that this year’s other sci-fi efforts such as “Pacific Rim” and “Elysium” can only dream of.


Park's "Stoker" An Icy Affair

Park Chan-wook’s English-language debut filled with sights but little fright. With its funereal calm and measured pacing, “Stoker” initially seems a million miles away from the kinetic heat of “Oldboy.” Dig deeper, though, and this exercise in style is a pleasing evolution of Park’s visual palette.


Oscar Watch: "Amour"

Director Michael Haneke's game, as it always has been, is to make the audience complicit in whatever heinous act he chooses to depict onscreen, in this case the euthanasia of someone in extreme pain.


Jennifer Lawrence

Crimson arts editor Caleb J.T. Thompson picks who should win the Academy Award for Best Actress in a Leading Role.


Fact, Fiction, and Freedom in 'Zero Dark Thirty'

No recent event in American foreign policy has captured the public imagination like the killing of Osama bin Laden, and Kathryn Bigelow's slick, technically brilliant film "Zero Dark Thirty" is surely only the first in what will be many retellings of the story. However, one problematic feature of the narrative has sparked massive amounts of controversy—the movie's depiction of torture.


Odd Future: Revolutionary or Revolting?

Caleb J. Thompson and Indiana T. Seresin engage in their own dialogue about Odd Future’s aggressive lyrical content.