TV
‘The Clubhouse: A Year with the Red Sox’ Review: Digging Deep into the 162
Boston is used to winning.
‘The White Lotus’ Season 3 Review: Lorazepam, Tsunamis, Buddhism, and a Gold Mine of Untapped Potential
“The White Lotus” has always been a social commentary first and murder mystery second.
Artist Profile: Jared Sleisenger ’16 on The Importance of Modern Jewish Storytelling
“Find the story you’re trying to tell and how best to tell it,” Sleisenger said.
‘Adolescence’ Review: A Stunning Reconstruction of the Crime Thriller
Editing is a ghost in the world of “Adolescence.”
‘The Leopard’ Review: Delightful and Disturbing
Netflix’s “The Leopard” is an exuberant celebration of the craft of filmmaking.
‘Yellowjackets’ Season 3 Review: Spring Signals Tranquil Yet Eerie Renewal
This tranquil, almost idyllic atmosphere is a refreshing change of pace from the cannibalism and violence viewers have come to expect.
‘Grosse Pointe Garden Society’ Premiere Review: Suburbia, Secrets, and Missed Opportunities
“Grosse Pointe Garden Society” is more of a well-manicured lawn than a flourishing garden — respectable, but nothing to revisit.
‘Celtics City’ Premiere Review: A Refresher on Boston Greatness
The Celtics represent a lot to the city of Boston — teamwork, dedication, and most importantly, undeniable success.
‘Prime Target’ Review: The Prodigy Problem
The show weaves together various storylines and characters in a clear yet intricate manner.
‘Apple Cider Vinegar’ Review: A Healthy Reminder Not to Believe Everything You See Online
The six-episode series is packed with depth and nuance.
‘SNL 50’ Review: A Long But Meaningful Tribute
The crossover in generations was one of the highlights of the show, creating combinations of celebrities that seem like a fever dream.
‘The White Lotus’ Season 3 Premiere Review: Monkey See, Monkey Do
This season’s debut feels especially sharp, wasting no time in finding its footing.
‘American Primeval’ Review: The Untold Stories of the Frontier
By exposing the brutality and moral contradictions that shaped the frontier, the series challenges viewers to sit with uncomfortable truths.
‘Severance’ Season 2 Review: Three Episodes and 300 Questions
The creators of "Severance" have been crafting an even more intricate labyrinth of secrets, lies, and Lumon founder Kier Egan-based artwork.
‘Squid Game’ Season 2 Review: A Terrifying Critique of Modern Materialism
The show's social critique is more terrifying than the games themselves.
‘Cruel Intentions’ Review: Bold Themes, Shallow Execution
“Cruel Intentions” is well-paced and passably entertaining, albeit far from unique or groundbreaking.
‘Dancing with the Stars’ Season 33 Finale Review: Jumps, Twists, and Turns
On Nov. 26, “Dancing with the Stars” closed the curtain on its 33rd season with a three-hour long final episode.
Top 10 TV Shows of 2024
The Crimson’s Arts Board presents its television favorites of 2024, from “The Bear” to “The Secret Lives of Mormon Wives.”
Artist Profile: Jenn Tran on Fame, Family, and Finding Somebody
It feels a world away from the woman who first graced TV screens this January as a contestant on “The Bachelor,” starred in her own season of “The Bachelorette.”
Late-Night Television’s Relevance in an Era of Streaming
Late-night television remains relevant despite its competition — an impressive feat for a supposedly “outdated” format.
‘Wish List Games’ Review: Prime Video’s Newest Game Show Lacks Competition
Ultimately, it is simply not entertaining to watch a grown man play Amazon-themed Jenga for fifteen minutes, regardless of whether an electric keyboard is on the line.
‘A Man on the Inside’ Season 1 Review: Charming and Sad
“A Man on the Inside” features famous comedian and actor Ted Danson as he brings to life Charles Nieuwendyk, a funny and intelligent grandfather.
‘Arcane’ Season 2: A Masterful Reflection on Loss
Building on earlier themes of technological costs and warring sects of society, at its heart, season two is about loss and the things people do in its wake.
‘Bridgerton’ Season 3 Takes Inaccuracy Too Far
The style in the season veers quite far from that of the Regency era, taking away from the magic of a make-believe past.
‘Off With His Head’ Review: Hasan Minhaj Wants You to Like Him Again in New Comedy Special
The main problem with “Off With His Head” — which is, again, not unfunny — is that Minhaj seems to be preoccupied with asking for forgiveness — from everyone.