Theater
‘The Addams Family’ Review: A Grave Success
“The Addams Family” proved that sometimes a little morbidity — and a whole lot of musical talent — can breathe new life into the most macabre family on stage.
‘Merrily We Roll Along’ Review: A Dazzling Reminder to Follow Your Dreams
After seeing “Merrily We Roll Along,” audiences never would have guessed that this show by Stephen Sondheim and George Furth infamously flopped in 1981.
Is Broadway Back? The Question Haunting the 2025-26 Season
Broadway producers are struggling as much as ever with the balance between art and commerce as they fumble their way towards a formula for success.
The Power of the Music of the Night: The Spookiest, Eeriest, and Most Hair-Raising Songs from Broadway
From Audrey's screams as she is devoured, to the Phantom’s soft but seductive tones, these are sure to set your hair on edge.
‘Our Town’ Review: Radiance Found in Simplicity
Lyric Stage Boston stole hearts with its modern yet deferential revitalization of the timeless work, directed by Courtney O’Connor.
‘Comedy is Not the End Goal’: Sam Kissajukian Embraces the Interdisciplinary in ‘300 Paintings’
"Comedy is a great way to create accessibility — if you can keep people laughing, it stops their defense mechanisms from going up," Kissajukian said.
‘MACBETH’ Review: Sparse Staging Becomes a Burden in Mixed Triumph
While the restrained staging invited intimacy and allowed the supporting cast’s arias to shine, the production often faltered under its own minimalism.
‘300 Paintings’ Review: The Most Innovative Live Performance You’ll See This Year
Kissajukian’s humor does not trivialize the weight of his illness, but instead familiarizes, endears, and humanizes someone living with bipolar disorder.
‘Sardines (a comedy about death)’ Review: A Not So Grim Reaper at The Huntington
There is no extraordinary revelation about death at the end of "Sardines," but that may be its most realistic revelation altogether.
‘Primary Trust’ Review: A Looking Glass Etched with Trauma
When Kenneth (David Castillo), a seemingly mature, middle-aged man, walks onstage and starts stuttering about his life, one can’t help but feel a strange, tender attachment to him.
‘The Hills of California’ Review: Set Up for Success but Missing the Mark
As rich in content and concept as “The Hills of California” may be, the acting occasionally falls flat, missing some of the complexity and humanity that is so central to the play.
‘Passengers’ Review: Reaching New Heights but Lacking Depth
“Passengers” at the American Repertory Theater provides thrills. Unfortunately, the story fails to match those heights.
Harvard Theater: Fall 2025 Season Preview
Check out this round-up of campus theater productions running in Fall 2025!
‘The Light in the Piazza’ Review: Love is Blonde
Even if the show doesn’t live up to auditory expectations, “The Light in the Piazza” is a feast for the eyes.
The Huntington Theatre and Trident Booksellers Host Curtain Call Broadway Trivia
The event presented attendees with seven fun rounds of Broadway-themed quiz questions, as teams of up to six members battled for Broadway glory.
Artist Profile: The Stage Managing Duo of Em N. Barnes ’25 and Liz A. Resner ’25
The challenges of student theater and the opportunities provided to learn the ropes of theatrical productions are part of why Harvard theater is “so special.”
‘Songs for a New World’ Review: A Collection of Pivotal Moments in the Timeless Search for Self Discovery
Would you jump off a ledge overlooking Fifth Avenue if your husband did not love you? This is just one of many plotlines in “Songs for a New World.”
‘Chicago’ Turns 50 — and It Is Still Calling Out Our Society
50 years later, "Chicago" is as glamorous and classy as ever — while still reinventing itself for modern audiences in contentious political times
Harvard Student Thesis Play ‘Ugly Feelings’ Evolves Into Professional Staged Reading With Fresh Ink and CHUANG Stage
“Ugly Feelings” reemerged — still an exploration of multiracial belonging at its heart — as a professional staged reading at the Boston Center for the Arts.
‘The Triumph of Love’ Review: A Night of Hilarious Romantic Entanglements
Perfect for the spring, this classic French comedy offers the audience the chance to experience a timeless tale of romance and deception.
‘Night Side Songs’ Preview: Interactive Theater’s Approach to Caregiving and Catharsis
“Night Side Songs” offers an intimate evening meditating on the tragic, yet universal themes of illness and caregiving.
Harvard College Women’s Center’s ‘Men Aren’t Funny’: A Hysterical Inspiration
The title, although jarring for some, is something Women’s Center undergraduate intern Olivia F. Data ’26 is proud of.
‘Parade’ Review: One of America’s Most Shameful Tragedies, Expertly Told
“Parade” may be a dramatization, but the touring production of director Michael Arden’s Tony-winning Broadway revival stresses the real.
‘Hamilton’ Retrospective: Eliza’s Lasting Impact 10 Years Later
The story that most viewers take away from “Hamilton” is Alexander’s, but Eliza’s remains arguably the most important.
‘A Man of No Importance’ Review: Putting the Community in Community Theater
This sendoff production for director Daigneault brims with love for theater — not in its ideal, but rather in its embarrassing and unabashed eagerness.