Music
Gryffin Concert Review: A Night of Infectious Energy
In Gryffin's nearly hour and a half long performance, his dynamism never faltered, even for a split second.
‘Down to be wrong’ Single Review: HAIM’s Rock Anthem for the Summer
There’s a time for noodling saxophone solos and intertwining melodies, yet this latest track shows that the band finds its home in spirit, not substance.
2000s Alternative Rock Music and Teenage Angst: What We’re Missing Today
Perhaps the genre that relied so heavily on a very collective atmosphere was no longer necessary, though it doesn’t make the loss any less sad.
‘Luster’ Album Review: The Idea of Home Has Never Felt So Bittersweet
With tracks that emulate soft embraces, soothing conversations, and begrudging introspections, Somerville extends beyond the ordinary.
Artist Profile: Prazul is ‘Bringing the Saxophone Back’
Prazul makes music for himself and describes his need to create like a compulsion — not a hobby, interest, or want, but a need.
‘SABLE, fABLE’ Album Review: Bon Iver Chooses Peace in Myths and Reality
In “SABLE, fABLE,” Vernon reckons with the challenge of leaving the certainty and comfort of suffering, opening his sound to an affirmation of peace, love, and joy.
Role Model’s No Place Like Tour Review: There’s Truly No Place Like Boston
After a lost voice, cancelled show, and brief change of plans, Role Model took the stage at MGM Music Hall for the final stop of his world tour.
Lucy Dacus’ ‘Forever is a Feeling’ Concert Review: How to Feel Forever
When Lucy Dacus appeared on stage for her “Forever is a Feeling Tour,” it was easy to assume that the indie rock superstar was a trick of the light.
Artist Profile: Ahmed Spins, Carlita, Lucas Zivkovic, and Guillaume Blanchet on Friendships and Growth in Deep House Bible
It all started at Northeastern University, where Lucas Zivkovic and Guillaume Blanchet met DJs Ahmed Spins and Carlita.
Penny & Sparrow Concert Review: A Saturday Night Serenade
Jankhe’s acoustic guitar provides a surprisingly full backing to what can only be described as angelic vocals from Baxter.
After Fight Over Replacement of Allston Sound Museum, City Kicks Off Redevelopment
The city of Boston officially kickstarted a process to replace the Sound Museum on Monday. The replacement of the Brighton-based rehearsal space has been hotly contested by the musicians who once rehearsed there.
‘Henry, come on’ Single Review: Ethereal Vulnerability
Del Rey excels at creating a deeply personal, confessional tone in her music, and nowhere is this ability stronger than in “Henry, come on.”
‘You and I’ Single Review: Introducing Alice Phoebe Lou’s Personal Sound
The way in which the vocals are simultaneously cinematic, effortless, and warm are uniquely Lou’s.
The Perfect Spring Playlist for Walks in the Rain and Warming Weather
There is no better remedy for spring blues than a playlist containing the full range of emotions that this transitional period entails.
‘The Sun’ Single Review: Brittany Broski Redeems the Influencer-Turned-Artist Pipeline
Rather than romanticizing heartbreak, she accepts these emotions and in doing so, maintains her self-worth in the end.
Just a Girl?: The Disappearance of the Angry Girl Music of the ’90s
Where are all the angry girls? The deep roots of angry girl music can be found across decades — clearly, there has always been a lot to be angry about.
Nubya Garcia Concert Review: Presence, Sonified and Embodied
Despite the bare-bones staging, Garcia and her bandmates kept the energy high with remarkable musicianship and gratitude for the moment.
Pop Hits and Politics: At Yardfest, Students Dance to Bedingfield and a Student Band Condemns Trump
Hundreds of students packed Tercentenary Theatre on Sunday as Grammy-nominated artist Natasha Bedingfield took the stage for Yardfest — the College’s annual spring concert — following three student band performances, one of which criticized recent federal attacks on pro-Palestine protesters.
Neal Francis Concert Review: Funk is Alive and Well in Cambridge
The marquee confirmed that it was, in fact, not a Stones cover band but rather Neal Francis — an artist far from the gimmick of emulating his influences.
‘Equus Asinus’ Album Review: A Sturdy, Reliable Record
At its best, the record is a warm sonic embrace neatly wrapped around lovely poetic musings evocative of Imagist poetry.
‘The Giver’ Review: Chappell Roan Got The Job Done
A playful spin on the country music that Roan grew up with, it embraces queer sexuality with traditional country instrumentals and her stunning vocals.
‘CUPID’S GIRL’ Single Review: Cupid’s Arrow May Miss the Mark
MARINA’s newest single doesn’t offer a societal critique to be presented through a kitschy persona, nor does it explore any personal vulnerabilities.
‘Gethsemane’ Review: A Fantastic Return to Form
The single remains a pressing narrative accomplishment, clearly bringing the listener through the torments of a tumultuous — if not abusive — relationship.
Artist Profile: Jake Minch on Songwriting and Curiosity
Minch stands out for his risk-taking and not feeling the need to craft a perfectly unobjectionable or safe artist persona.
Whitechapel Concert Review: A Metalhead Ritual
Hearing the raging guitars, hammering drums, and especially Bozeman’s otherworldly and awe-inspiring vocals live was quite something to witness.