Film
The Human Face of AI: Greg Kohs on the Future of Film
Filmmaker Greg Kohs suggests a future in which technology is instead a mirror, reflecting the human intentions that created it.
‘Now You See Me: Now You Don’t’ Review: Flair Without the Iconic Showstopper
For all its craftsmanship, the film lacks a singular, inarguable showstopper.
‘Die My Love’ Review: A Fiery Film Lacking Emotional Heat
While the film’s juxtaposing imagery and fragmented timeline are at times shocking or visually brilliant, its narrative becomes muddled.
‘Hedda’ Review: Nia DaCosta Reinvents Ibsen’s ‘Hedda Gabler’ with Style, Not Subtlety
While the presence of modern cinematic technique is consistent with other elements of this film, it cannot authentically immerse viewers in the time period.
Artist Profile: Mamadou Dia on Taking Charge of the Senegalese Narrative
Dia’s biggest inspiration is his community, including the people and experiences of Northern Senegal.
‘Regretting You’ Review: Trying to Move Past the Absurdity
Though entertaining at times, to enjoy “Regretting You” ultimately seems to ask for more work than the writers put into making it.
‘Massachusetts Avenue: Life Along Cambridge’s Main Artery’ Premieres at the Brattle: A Cinematic Time Capsule of Cambridge
Documentarian Federico M. Muchnik wanted to explore his neighborhood after years of living in it.
‘Frankenstein’ Review: An Old Story In New Clothes
In order to bring del Toro’s script to life, the cast delivers all-around fantastic performances throughout the film.
‘Bugonia’ Review: Yorgos Lanthimos’ Dialogue is Awkward and Brilliant
In this film, beauty and disgust coexist.
‘The Mastermind’ Review: Kelly Reichardt Thought This Through
“The Mastermind,” as a niche experiment for Kelly Reichardt and the genre, will likely remain underrated, but it is one of the better films of the year.
‘Black Phone 2’ Review: ‘Dead Is Just a Word’
Ultimately, “Black Phone 2” doesn’t seem to know what it wants to be.
‘Tron: Ares’ Review: A Glitch, a God, or a Glorious Comeback?
These flaws are, however, outweighed by how surprisingly enjoyable the film is as a whole.
‘Toy Story’ 30 Years Later: When Animation Gained a Third Dimension
Three decades later, “Toy Story” remains a touchstone not only for its technical brilliance, but for what it says about childhood, creativity, and growing up.
‘Behind the Screen: Jane Austen Wrecked My Life’: Celebrating Austen’s 250th Birthday through Another Lens
In celebration of Jane Austen’s 250th birthday this year, the West Newton Cinema hosted “Behind the Screen: Jane Austen Wrecked My Life."
‘Steve’ Review: Everybody Has a Story Worthy of Being Heard
Overall, “Steve” is a sobering look at certain populations that society forgets about far too frequently.
‘Soul on Fire’ Review: Perseverance Is the Name of the Game
Despite its flaws, “Soul on Fire” doesn’t aim to be an award-winning film.
‘The Smashing Machine’ Review: A24 Found the Art in Mixed Martial Arts, But Failed to Cement the Plot
The film’s visual power tends to conceal the stilted and confusing plot.
Top Five Films to Get Ready for a Fall Evening In
So sit back and prepare to be spooked, brought to tears, or comforted by these five fall films.
Sometimes Absence is More: Best Silent Movies for Slow Detox Days
Silent Movie Day on Sept. 29 is the perfect opportunity to detox with a transcendental movie marathon.
‘After the Hunt’ Review: Because Apparently Subtext Is Too Much to Ask For
Unfortunately, “After the Hunt” finds itself falling prey to the pretentiousness it aims to critique.
‘Anemone’ Review: Successfully Seeking Silence
“Anemone” presents its story of family, trauma, and forgiveness with absolute poise from beginning to end.
‘The History of Sound’ Review: Firing On All Cylinders
Mescal and O’Connor bring these unconventional men to life in vivid and powerful ways.
‘A Big Bold Beautiful Journey’ Review: When a GPS Leads to Love
“A Big Bold Beautiful Journey” functions as a first draft of a film, as a sketch that was never fully developed.
‘Him’ Review: A Look Into the Backrooms of Football
Though a visually satisfying film with brilliant performances, “Him” suffers from a lack of detail.
‘The Roses’ Review: Every Rose Has Its Thorn
“The Roses” has many redeeming qualities, but also contains many pitfalls that distract from its societal critiques.