Arts
Gracie Abrams Concert Review: The Community of Nostalgia
Abrams’ performance was at once deeply personal and universal, an exhilaration of feelings too powerful to be conquered alone.
Artist Profile: Raymond Ablack on Catching the Acting Bug — And Never Letting Go
Raymond Ablack is no stranger to the screen.
Youmna M. Chamieh Profile Photo
Youmna M. Chamieh ’21-’22 sat down with The Crimson to discuss her career and writing journey.
Harvard Authors Profile: Youmna M. Chamieh ’21-’22 on How to Look at the World Sideways
Comfortability with ambiguity bleeds into Chamieh’s writing; her empathy as she searches for reconciliation between diverging narratives is palpable.
‘F1’ Still
Damson Idris as Joshua Pearce and Brad Pitt as Sonny Hayes in Apple Original Films’ “F1 The Movie."
‘The Dream Hotel’ Review: Deeply Philosophical But Exaggeratedly Didactic
“The Dream Hotel” offers an immersive although sometimes overly didactic exploration of what it means when all of our actions are tracked.
‘Good Girl’ Review: Emotional Excess and Existentialism
“Good Girl” is an addictive immersion into the gaudy world of Berlin nightlife, weaving together a teenager’s hazy memories with keen observations on art.
‘F1’ Review: Hollywood Hurrah, Formula Failure
With Brad Pitt in the driver’s seat and Apple Studios behind the wheel, "F1" tends to race toward a Hollywood spectacle over being a true homage to the sport.
A Critical Eye: Alternative Visions of Motherhood at the Harvard Film Archive
“Mildred Pierce” (1945) explores the lengths to which a mother would go in order to protect her children.
‘Notes on Infinity’ Review: In Search of Immortality — At Harvard
“Notes on Infinity" is a solid story of a biotech start-up cultivated in the petri dish of ambition that is Harvard.
‘The POMtastics!’ Review: Student Film Reminds Viewers that Youth is a Mindset
Anna Carroll shows audiences that age is nothing but a number with “The POMtastics.”
From Boston Calling 2025: Vampire Weekend Caps Off The Weekend With A Charming Performance
Vampire Weekend’s performance gave each song room to breathe, allowing moments for the band to jam out in a way that added energy to each song.
'The Light in the Piazza' Performance Photo
Joshua Grosso and Sarah-Anne Martinez in “The Light in the Piazza.”
‘The Light in the Piazza’ Review: Love is Blonde
Even if the show doesn’t live up to auditory expectations, “The Light in the Piazza” is a feast for the eyes.
‘Is a River Alive?’ Review: A Stilted Love Letter to the Natural World
Ecological, nonfiction work "Is A River Alive?" explores the animacy and integrity of nature, but suffers from awkward pseudo-poetic statements.
Deinfluencing Graphic
Deinfluencing has become popular across social media platforms — but is it really all that it seems?
Is Deinfluencing Just Another Aesthetic?
Deinfluencing, originally meant to challenge the influencer economy, now runs the risk of becoming its own consumption-seeking performance.