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Successful Harvard Essay
My nightstand is home to a small menagerie of critters, each glass-eyed specimen lovingly stuffed with cotton. Don’t get the wrong idea, now – I’m not a taxidermist or anything. I crochet.
Crochet is a family tradition. My grandmother used to wield her menacing steel hook like a mage’s staff and tout it as such: an instrument that bestowed patience, decorum, and poise on its owner. During her youth in Vietnam, she spent her evenings designing patterns for ornate doilies and handkerchiefs. Then the Vietnam War turned our family into refugees. The Viet Cong imprisoned my grandfather, a colonel in the South Vietnam Air Force, in a grueling labor camp for thirteen years. Many wives would have lost hope, but my grandmother was no average woman. A literature professor in a time when women’s access to education was limited, she assumed the role of matriarch with wisdom and confidence, providing financial and emotional security. As luxuries like yarn grew scarce, she conjured up all sorts of useful household items – durable pillowcases, blankets, and winter coats – and taught my mother to do the same. Because of these bitter wartime memories, she wanted my handiwork to be of a decidedly less practical bent; among the first objects she taught me to crochet were chrysanthemums and roses. However, making flowers bloom from yarn was no easy task.
Even with its soft plastic grip and friendly rounded edges, my first crochet hook had a mind of its own, like the enchanted broom in “The Sorcerer’s Apprentice.” It stubbornly disobeyed my orders as I impatiently wrenched it through the yarn. My grandmother’s stern appraisal of my efforts often interrupted this perpetual tug-of-war: My stitches were uneven. The edges curled inward. I would unravel my work and start anew.
I convinced myself that cobbling together a lopsided rectangle would be the pinnacle of my crochet prowess but refused to give up. Just as a diligent wizard casts more advanced spells over time, I learned to channel the magic of the crochet hook. The animal kingdom is my main source of inspiration; the diversity and vivid pigmentation of life on Earth lend themselves perfectly to the vibrant and versatile art of crochet. Many of the animals I make embark on migratory journeys, like their real-life counterparts. Take Agnes, for example, a cornflower-blue elephant named after mathematician Maria Gaetana Agnesi who lives in my calculus teacher’s classroom, happily grazing on old pencil shavings and worksheets. As I fasten off the final stitches on every creature, I hope to weave a little whimsy and color into someone’s life.
Each piece I finish reminds me of the network of stitches that connects mother and daughter, past and present, tradition and innovation.
Each piece I finish reminds me of the network of stitches that connects mother and daughter, past and present, tradition and innovation. In this vast cultural web, I am proud to be my family’s link between East and West. As I prepare for adulthood, I am eager to weave my own mark into the great patchwork quilt that is America.
Professional Review by PrepMaven
Clara’s essay seamlessly integrates her voice, family history, and current character into a moving and effective narrative. Here’s how:
She starts with a perfect opening. Through vivid, specific word choice (a nightstand of “glass-eyed specimens”), the essay showcases Clara’s voice and humor (“not a taxidermist”). At the same time, this essay quickly introduces the subject: crocheting.
The essay then “zooms out” to raise the stakes. Crocheting isn’t just a hobby: it’s a tradition that sustained Clara’s family through the Vietnam War. While Clara mentions the brutal reality of her family’s experiences, she quickly returns the focus to herself. It’s something many students forget: whatever your past struggles, your essay must be about you now.
Clara won't be deterred by failure, won't quit because something's tough.
The essay then gives us insight into her character. Clara won’t be deterred by failure, won’t quit because something’s tough. By focusing on her attempts to improve her crocheting skills, Clara displays the maturity, perseverance, and self-awareness often missing from application essays.
And Clara’s essay sticks the landing. We teach students to bridge past, present, and future in their essays. Clara does that: writing about crocheting allows Clara to end with a sophisticated discussion of how her family’s history informs not just her current life, but her future college goals.
The Crimson's news and opinion teams—including writers, editors, photographers, and designers—were not involved in the production of this article.