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Archives → 2023 → 5/2
- ‘Dance Nation’ Review: Feral Doesn’t Even Begin to Cover It
- My Fair Lady Review: A Safe, Unremarkable Take on a Beloved Broadway Classic
- ‘Chevalier’ Review: Why ‘Chevalier’ is No One’s Knight in Shining Armor
- Erica Chenoweth and Zoe Marks Named Pfoho Faculty Deans
- ‘Yellowface’ Review: Fast-Paced Critique at Times Falters
- Artist Profile: The Defiantly Optimistic Storytelling of Marie Lu
- ‘Post Mortem’ Preview: An Exciting Showcase of First-Year Students’ Talents
- Comfort Shows To Get You Through Finals
- Life-Altering Films: The Tale of My Letterboxd Top Four
- Concert Review: Lewis Capaldi Has Jokes for Boston
- “The Mandalorian” Season 3 and the Future of the Star Wars Universe
- Artist Profile: Kristian Hardy ’24 on Representing Black Womanhood in Theater
- Artist Profile: Playwright Sophie Kim On Collaboration, Queerness, and Bringing…
- Artist Profile: Sam F. Dvorak ’23 on the “Intimate Process” of Theater
- Crossing the Threshold
- Record Store Day 2023: Music Fans Flock to Independent Stores for Exclusive Rel…
- ‘Happy Place’ Review: An Ambitious Emily Henry Novel
- ‘Boat’ Single Review: Guys, it Only Half-Sunked
- Artist Profile: Christie Tate on The Necessity of Female Friendships
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