“Wuthering Heights” is playing a dangerous game.
Check out this round-up of campus theater productions running in Fall 2025!
Totah wanted to ensure "The Buccaneers" portrayed Mabel and Honoria’s love story with intention and care.
“No matter what I do, I’m not going to be able to stop being an artist,” Anika Liv Christensen ’26 said in an interview with The Crimson.
The troupe’s spring showcase “Eastbound” took place on April 25 and 26 at the Loeb Drama Center.
The Harvard Art Museums elegantly combines both new and old.
Rutherfurd’s Moon images are beautiful, but they also marked an important leap forward for scientific imaging through their detail and clarity.
Abrams’ performance was at once deeply personal and universal, an exhilaration of feelings too powerful to be conquered alone.
Raymond Ablack is no stranger to the screen.
Comfortability with ambiguity bleeds into Chamieh’s writing; her empathy as she searches for reconciliation between diverging narratives is palpable.
With Brad Pitt in the driver’s seat and Apple Studios behind the wheel, "F1" tends to race toward a Hollywood spectacle over being a true homage to the sport.
“Good Girl” is an addictive immersion into the gaudy world of Berlin nightlife, weaving together a teenager’s hazy memories with keen observations on art.
“The Dream Hotel” offers an immersive although sometimes overly didactic exploration of what it means when all of our actions are tracked.
“Mildred Pierce” (1945) explores the lengths to which a mother would go in order to protect her children.
“Notes on Infinity" is a solid story of a biotech start-up cultivated in the petri dish of ambition that is Harvard.
