‘What It Is’ Review: Harnessing Images for Creativity
Lynda Barry’s “What It Is” is not just a creative scrapbook but an experience full of thought-provoking questions, doodles, and writing.
‘Uncle Vanya’ Preserves Chekhov’s Hilarious, Dark, Tender Humanity for Today’s World
The contemporary setting of Heidi Schreck’s translation of “Uncle Vanya” feels so natural that one could miss the change entirely.
From Cannes: ‘The Substance’ is a Sparkling and Divisive Body Horror
It is nearly unimaginable to not feel seen by French director Coralie Fargeat’s “The Substance,” which premiered at the 77th Annual Cannes Film Festival.