News
Harvard Medical School Cancels Student Groups’ Pro-Palestine Vigil
News
Former FTC Chair Lina Khan Urges Democrats to Rethink Federal Agency Function at IOP Forum
News
Cyanobacteria Advisory Expected To Lift Before Head of the Charles Regatta
News
After QuOffice’s Closure, Its Staff Are No Longer Confidential Resources for Students Reporting Sexual Misconduct
News
Harvard Still On Track To Reach Fossil Fuel-Neutral Status by 2026, Sustainability Report Finds
If you think Anne Hathaway’s got this in the bag, think again. Sure, she shed about 25 pounds to play the tragic heroine in “Les Misérables,” and as everyone knows, the bigger the weight gain or loss, the better the Oscar chances. Yes, she shaved her head and let out a fountain of tears in her no-holds-barred performance of “I Dreamed A Dream.” And she is, admittedly, one of the few singers in “Les Mis” who doesn’t induce cringing.
Perhaps her melodramatic camera-hogging will bring home the gold. But that doesn’t mean it should. For all its apparent one-sidedness, this category actually has one of the strongest lineups of this year. Veteran Sally Field deftly gave us both sides of Lincoln’s first lady, Helen Hunt showed sensitivity—and more—as a sex surrogate in “The Sessions,” and Amy Adams once again demonstrated her adaptability as the icy wife in “The Master.” But hiding among these heavyweights is the truly deserving winner: the timid, loving mother in “Silver Linings Playbook.” As Dolores Solitano, Jacki Weaver both nails a Philly accent and portrays a mother holding a disintegrating family together with sheer resolve—not easy when that family includes a bipolar Bradley Cooper and an obsessive-compulsive Robert De Niro—all while whipping up the best crabby snacks and homemades a family could want.
—Staff writer Tree A. Palmedo can be reached at treepalmedo@college.harvard.edu.
Want to keep up with breaking news? Subscribe to our email newsletter.