Genji Scholar Is Tenured

Art historian Melissa McCormick received tenure from the East Asian Languages and Civilizations department this July, becoming a professor of Japanese art and culture.

Her research on the Tale of Genji, a seminal Japanese novel composed by a woman over 1000 years ago, and her work on the relationship between painting and literature in pre-modern Japan have helped bring her to the forefront of her field.

“She is certainly more than deserving [of tenure],” said History of Art and Architecture Associate Professor Yukio Lippit ’93, McCormick’s husband and a fellow member of the East Asia Art History Program. “As both a spouse and a colleague, I think it is wonderful.”

McCormick’s role in her department—that of teacher and researcher—will not change significantly now that she has received tenure, said Wilt Idema, the chair of the East Asian Languages and Civilizations department. But the psychology of her job has shifted.

“There is much less anxiety,” Idema said. “Much of the pressure is taken off.”

“I kind of feel like I will have more fun with my work, with my research,” McCormick said on receiving tenure. “Just somehow psychologically it is liberating that you can explore more areas and do so with utter psychological freedom.”

McCormick said she intends to do further research on women’s roles in 16th- and 17th-century Japan, a period after the Tale of Genji was produced when dominant scholarship holds that women were not as influential as they had been in the 15th century.

By studying paintings called Hakubyo—literally “white lines,” for the negative space around the ink of the illustrations—McCormick said she is “trying to show that that is not the case and that women had continued to compose narratives and poetry.”

Last year, when Harvard’s endowment plunged, Faculty of Arts and Sciences Dean Michael D. Smith instituted a temporary hiring freeze. But McCormick’s hiring process was not affected by last year’s freeze because she was already in the tenure track, a path Smith stipulated would not be affected by the alteration in hiring patterns.

“The school is really keeping good on its promise and promoting from within the University, which is very exciting,” McCormick said. “I think people had been wary pre-tenure, but now I think there is a feeling that they are fulfilling the commitment.”

McCormick taught at Columbia University prior to coming to Harvard in 2005, when she began as the John L. Loeb Associate Professor of the Humanities.

As an undergraduate at the University of Michigan, McCormick anticipated a career in modern dance.

“I was very much influenced by East Asian philosophy—reducing things to the minimum, reducing illusionism,” McCormick said. “All of those things were appealing to me in the modern dance form, and I felt an affinity for them when I started studying Japanese art.”

Though she is now a far cry from a dance career, it seems McCormick has found a sturdy path.

“The most incredible thing about getting tenure,” she said, “is knowing that your life isn’t going to change.”

—Staff writer Elyssa A. L. Spitzer can be reached at spitzer@fas.harvard.edu.