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It’s a typical evening in Manhattan,
and Zoe Kravitz decides to go for a
walk. Innocent enough, right? Wrong.
In the course of one night, Kravitz
is depicted necking with strange boys
on the street, smoking what may or
may not be PCP in the park while
wearing hoop earrings, and rolling on
club drugs in—where else?—da club.
Kravitz’s collective exploits work
towards director Phillip Andelman’s
mission to delineate the parallel between
drug abuse and bad relationships
that is at the very core of the
lyrics for “I Know.” It’s a parent’s
worst nightmare—although Kravitz’s
parents (Lisa Bonet and Lenny) may
not necessarily be shocked.
What’s shocking is the extent to
which both Jay and Andelman must
have tricked themselves into thinking
that this kind of association is in the
least bit novel. It’s been just over 30
years since Lou Reed first sang, “Heroin,
/ its my wife and it’s my life,” and
all Jay’s been able to come up with is,
“Just for one night, baby, take me in
vein”? Really?
Perhaps as a function of how
tired the song’s subject matter is, the
video for “I Know” is massively underwhelming.
Andelman’s boundless
creativity manifests itself in such
never-before-seen depictions of drug
use as: elaborate and beautiful hallucinations,
the use of a Timothy
Leary-esque color palette, and—my
personal favorite—people acting really
out of it.
Furthermore, the director seems
obsessed with the idea that people
on drugs feel like they’re melting and
think that everything around them
is melting. In the four-minute clip,
all kinds of light-emitting objects
get trippy. That including marquees,
lamp posts, and chandeliers.
Ultimately, this video is about
showcasing Ms. Kravitz. And while
it might be going a little far to laud
Kravitz for her acting skills in the
video—she’s not really playing Gilbert
Grape here, just pretending to
be stoned for four minutes straight—
there’s something undeniably alluring
about her that warrants watching
the clip at least once. (DISCLAIMER:
The H.O.V.A makes nary an appearance.)
—Ruben L. Davis
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