News
In Fight Against Trump, Harvard Goes From Media Lockdown to the Limelight
News
The Changing Meaning and Lasting Power of the Harvard Name
News
Can Harvard Bring Students’ Focus Back to the Classroom?
News
Harvard Activists Have a New Reason To Protest. Does Palestine Fit In?
News
Strings Attached: How Harvard’s Wealthiest Alumni Are Reshaping University Giving
With every Nas record come the inevitable reviews stating the obvious: “It’s not ‘Illmatic.’” Despite their place on the opposite side of the auditory spectrum, the new albums by experimental rock outfit Deerhoof require a similar caveat: “It’s not ‘Reveille.’”
That’s not to say that Deerhoof’s latest, “Friend Opportunity,” is anything less than finely crafted avant-pop that puts the rest of the “indie-prog” sub-sub-genre to shame. In fact, opener “The Perfect Me” finds Deerhoof refueled with their unique brand of frantic, scattershot rocking. Soon after, however, the immediacy and unpredictability vanishes, and the songs become too comfortable—at least, by Deerhoof standards.
“Friend Opportunity” is by no means a misstep. It’s an easily listenable, fun album, and the band’s signature nervy drums and bipolar blasts of sound can still be found in “Cast off Crown.” But with the expectations attached to a Deerhoof album, it’s hard not to be a little disappointed when even 12-minute sound experiment “Look Away” is nothing more than expected.
Want to keep up with breaking news? Subscribe to our email newsletter.