News
Summers Will Not Finish Semester of Teaching as Harvard Investigates Epstein Ties
News
Harvard College Students Report Favoring Divestment from Israel in HUA Survey
News
‘He Should Resign’: Harvard Undergrads Take Hard Line Against Summers Over Epstein Scandal
News
Harvard To Launch New Investigation Into Epstein’s Ties to Summers, Other University Affiliates
News
Harvard Students To Vote on Divestment From Israel in Inaugural HUA Election Survey
Perhaps, as Sahil Mahtani tells us (“The Eyes of Doctor Fitzgerald,” comment, Apr. 25), we do live in an age of restless materialism and social anomie. Perhaps, though the comparison is a touch facile, our coming of age in the irrationally exuberant 1990s is just as bankrupt as that of Tom and Daisy Buchanan of Fitzgerald’s Jazz Age. And it is quite likely, though I’ve never been to it, that the Fly’s annual Gatsby party is neither nostalgic nor ironic. Yet to read “Gatsby,” as Mahtani does, as a merely cautionary tale is to miss the genius of the novel. For “Gatsby” acquires its true tragic dimensions not only through its devastating social critique but also through its celebration of the beauty of Gatsby’s dream—its exuberance, its optimism, its irrepressibility—even as it remains ever elusive and unfulfilled. “So we beat on,” Fitzgerald writes, “boats against the current,” and Gatsby’s story is one played out over and over again in every generation. To be blind to the beauty of Gatsby is to be blind to the meaning of America.
SIMON N. CHIN
Cambridge, UK
April 25, 2006
Want to keep up with breaking news? Subscribe to our email newsletter.