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Daniel Williams, the young protagonist of Nick Laird’s “Utterly
Monkey,” is bored with his life. Suffice it to say, the feeling for the
reader is mutual.
The novel, fast-paced and punctuated by the self-effacing wit
of disguised autobiography, reads like a screenplay—but one that we
have seen already. A talented attorney at one of London’s largest law
firms, Williams has his life rattled by the appearance of a
ne’er-do-well school friend from Ireland. Geordie literally shows up on
Danny’s doorstep with £50,000 in stolen money and intentions of staying
with him long enough to avoid the Loyalist militia types who are after
their money.
Over a period of only five days (a sequence culminating on
July 12, Ireland’s Battle of the Boyne Day), Danny is lured from his
briefs, memos, and case law into a chase to find a terrorist bomber. In
the end, he manages to salvage his friend’s life, save the Bank of
England, and secure the affections of a beautiful trainee.
Filled with sentences cut like bait, Laird’s novel is really just the facts. And still, it drags.
Spliced between the chum are a few fishhooks—bits of
existentialist description, a few interesting characters abandoned like
sparks, and intensely philosophical fragments left to fend for
themselves.
Like some dying metronome, a puzzle-perfect plot clumsily
unfolds as we wait for the discontented lawyer to quit his job, the
passionate female trainee to fall for her superior, and for the
ever-present terrorist to be stopped by an untrained, inept pair of old
friends.
What we think will happen does, and what we imagine cannot
happen does not. The anxiety of global terrorism remains and the Irish
economy and political system remain complex and marginalized. Danny
Williams, for all his ingenuity and genuineness, cannot save the world.
For all its excitement and all its fanfare, Laird’s book cannot escape
its own depressing complacency.
We could pull any number of profound threads from Laird’s
novel: that nostalgia is better left in the past, that anxiety only
makes us anxious, that personal choices are inhibited by societal
forces. But begin pulling at these threads and the whole novel unravels
into a light farce on office life in London.
Laird, who started the book while a visiting fellow here at
Harvard in 2003, has a talent for rendering the indirectness of
personal relationships and interactions, but his skills are better
reserved for poetry where silence and reticence work in tandem with a
writer’s style. In “Utterly Monkey,” these awkward but poignant
episodes are overwhelmed by the preposterous plot. For more than just
the facts, try Laird’s first volume of poems “To a Fault,” or, better
still, try his wife Zadie Smith’s debut novel “White Teeth.”
—Staff writer Casey N. Cep can be reached at cep@fas.harvard.edu.
Utterly Monkey
By Nick Laird
Harper Perennial
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