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Directed by Greg McLean
Arclight Films
3 1/2 stars
“In
Australia, 30,000 people are reported missing every year. 90% of them
are found, some are never seen again” begins “Wolf Creek.” Can three
teenagers simply be wiped off of the face of the Earth during a mundane
road trip through the Outback?
Writer/director Greg McLean brings
to the screen the “based on a true story” account of Sidney resident
Ben (Nathan Phillips), and British tourists Liz (Cassandra Magrath) and
Kristy (Kestie Morassi). Although the camera work is certainly
appealing and the plot gripping, the movie ultimately seems like an
Australian version of “The Blair Witch Project.”
The movie kicks
off with wild party footage like that of a teen comedy, but rapidly
turns into an exhilarating thriller. The trio drives along endless dirt
roads until they reach a small town, where they attempt to pick up gas
and the girls are sexually threatened by a group of un-groomed locals.
McLean successfully uses shaky camera footage and a series of
UFO-related stories to create a genuinely foreboding atmosphere.
After
their car fails to restart, the teens are towed by Mick (John Jarratt),
an eccentric outbacker with a strange wit. Jarrat’s performance is
clearly the strongest part of this movie, playing at first a friendly
and appealing man and then promptly switching to the personification of
evil.
As the action cuts to the three protagonists waking up in
Mick’s junk-yard residence, bound as his prisoners, the movie becomes
intensely dark. Strings of bullet shots, chases through the desert,
exploding cars, and intense silences make the film a heart-stopping
thriller more than a gross-out horror movie.
Additionally, McLean
offers the American audience extraordinary footage of this vast and
untamed area of Western Australia. Wolf Creek, a park at the top of a
meteor crater, is one of the fantastic shots in the panoply of natural
beauty the movie shows.
The acting of the trio of teenagers is
certainly convincing, though nothing exceptional. Their roles—fun
loving youngsters who get themselves in trouble—have been seen in
everything from “Scream” to “Scooby Doo.” While McLean clearly deserves
the praise he’s received for his directing (at the Sundance Film
Festival and Cannes Film Festival), his predictable screenplay leaves
something to be desired. “Wolf Creek” won’t keep the viewer guessing
the plot twists, but is a solidly entertaining two hours.
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