News

Harvard Researchers Develop AI-Driven Framework To Study Social Interactions, A Step Forward for Autism Research

News

Harvard Innovation Labs Announces 25 President’s Innovation Challenge Finalists

News

Graduate Student Council To Vote on Meeting Attendance Policy

News

Pop Hits and Politics: At Yardfest, Students Dance to Bedingfield and a Student Band Condemns Trump

News

Billionaire Investor Gerald Chan Under Scrutiny for Neglect of Historic Harvard Square Theater

OK Go Teach Willing Folks

Middle East, February 3

By Andrew R. Iliff

Chicago-based rockers OK Go brought a rare commodity to the Middle East last Monday—fun, both mischievous and silly.

At a the moment when popsters’ ideas of a good time seem dangerously limited to drunkenness (The Strokes), public exposure (Janet) and grevious bodily harm (Jack White), OK Go prefer to make audiences giggle. Their eponymous album, released in late 2002, isn’t particularly gripping—a series of sunny pop songs equally influenced by emo and the retro-chic of bands like The Apples in Stereo. But OK Go, like all bands worth their salt, come into their own when playing live.

OK Go has made a business of rehabilitating and refurbishing the kitschiest moments in pop music. After a particularly humorless and unnecessary opening band, Raymond, (“The worst crowd ever!” griped Raymond’s bassist), and after fixing some initial sound difficulties that buried frontman Damien Kulash Jr.’s voice in the mix, OK Go delivered an hour of catchy pop songs that were undeniably and infectiously fun. Kulash channeled the campy spirits of Mick Jagger, Freddie Mercury and, in a glorious cover of “Hold the Line,” the much-missed Toto. Adding to the goofiness, bassist Tim Norwind belted out chipmunk-altitude vocal harmonies while maintaining a strictly punk demeanor behind oversized sunglasses. Even the maligned crowd redeemed themselves, stomping and clapping along to the “We Will Rock You” intro to the band’s hit “Get Over It.”

The band drew substantially on its pre-album material, including the cute “It’s Tough To Have A Crush (When The Boy Doesn’t Feel The Same Way You Do),” for which they recruited two men from the audience to come and dance together onstage: “The first time we’ve had a same-sex couple for this song!” said Kulash gleefully. The set, like the songs, was short and sweet. “We don’t usually do encores,” said Kulash when they returned. So instead they performed a karaoke version of “C-C-C-C-Cinnamon Lips,” lip-syncing and dancing in a style that owed more to Janet than ‘N Sync. Kitsch? No doubt. Fun? Only if you have a sense of humor.

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags