News
Harvard Medical School Cancels Student Groups’ Pro-Palestine Vigil
News
Former FTC Chair Lina Khan Urges Democrats to Rethink Federal Agency Function at IOP Forum
News
Cyanobacteria Advisory Expected To Lift Before Head of the Charles Regatta
News
After QuOffice’s Closure, Its Staff Are No Longer Confidential Resources for Students Reporting Sexual Misconduct
News
Harvard Still On Track To Reach Fossil Fuel-Neutral Status by 2026, Sustainability Report Finds
Josie and the Pussycats combines the fast, furious feel of a garage-band single with the frenetic kinesis of a music video. The film updates the comic of the same name, tracking grrl-band Josie and the Pussycats as they get caught up in success. The movie’s main target of attack is mass consumerism (boo Abercrombie!), but it also gets in smart jibes on boybands (the show’s spoof boyband, Du Jour, has a hit single named “Backdoor Lover”), “Behind the Music” and other aspects of ’00s pop culture. It’s great campy fun (Alan Cumming and Parker Posey obviously relish their villain roles) with a catchy soundtrack, underpinned by an admirable powerful-grrl ethic. Rachael Leigh Cook’s eyes sparkle with charisma as bandleader Josie, Tara Reid makes an agreeably ditsy Melody, and Reid’s boyfriend Carson Daly parodies the hand that feeds him. Is Josie a signal of the end of mindless pop music and culture? Probably not, but as supposedly disposable movie fluff it’s savvier than it has any right to be.
– Daryl Sng
Josie and the Pussycats
directed by Harry Elfont, Deborah Kaplan
starring Rachael Leigh Cook, Tara Reid, Rosario Dawson
Universal Pictures
Want to keep up with breaking news? Subscribe to our email newsletter.