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Harvard's Dumbarton Oaks Research Library and Collection in Washington, D.C., the site of the World War II conference that resulted in the formation of the United Nations, is still widely known for two things: decorative gardens and its research centers on ancient art.
Now, in trying to expand one, the University has aroused fears that it will destroy the other--and since the gardens possibly in peril were designed by famous American designer Beatrix Farrand, this construction plan has become a national concern.
To create more space for its art library, Harvard hopes to build directly below the manicured gardens, tearing up walls and fountains that they plan to replace once construction is finished.
The prospect has mobilized landscape architects, Farrand scholars and neighbors to protect the site from renovation.
Harvard's plan calls for the construction of a 25,000-square-foot underground library adjoining the main Dumbarton building. The two-story building will be visible only in scattered ground-level skylights.
The library will consolidate all the books from the various collections as well as many of the artifacts themselves, a goal that Harvard has held since the 1940s when it first floated a plan for a library on the site.
Dumbarton Oaks consists of a mansion and the surrounding grounds that were donated to Harvard in 1940, along with a large art collection. Since then, Harvard has added to the collection and used the site as a center for a small group of research fellows to study both art and literature about art in an intimate and intensive environment.
The purpose of Dumbarton Oaks, according to Dumbarton director, Edward L. Keenan, is to allow its 18 research fellows to "study the museum objects and very specialized libraries that have been built around these objects."
The collection includes pieces from pre-Columbian America and the Byzantine Empire. As the center's libraries and collections have grown, officials say, so has the need for a centralized facility.
But neighbors' activism led to the demise of Harvard's attempt to build this kind of central facility 25 years ago. James Urban, the landscape architect involved in the current project, says that plan was less carefully planned than the new proposal.
Now, Harvard planners say they are attempting a much more sensitive treatment of the garden.
However, the project, "still in the early to middle stages of schematic design," according to architect Richard Williams, is already garnering opposition from various neighborhood and architectural fronts.
A Sacred Place
Rowe says that even when she was young, the garden inspired her. Since then, she has learned more about Farrand's work and believes strongly in its preservation.
Farrand, who designed the garden when the site was still privately owned in the 1920s and '30s, was the only female founding member of the American Society of Landscape Architecture.
She also worked on the Princeton and Yale campuses, but many consider Dumbarton Oaks to be her seminal work.
"If Frederick Law Olmstead is the father of landscape architecture, Beatrix Farrand is the mother," Rowe says.
Keenan, says he agrees that the garden must be preserved as a place that is "simply beautiful." But he says focusing on the garden simply because it was created by Farrand, can create a undesirable impulse to freeze the site in time.
"There are all sorts of places where famous people have trodden, but you can't make all of these places into Jerusalem," Keenan says.
Some people adopt a "quasi-religious attitude, which makes us forget that Dumbarton Oaks is a living changing place," Keenan says.
Both Urban and Williams, the team that Harvard has hired to design the library, say that they are completely aware of the need to protect the Dumbarton Oaks garden intact.
Indeed, at the urgings of the D.C. community boards who have reviewed their work so far, the architects have made plans to add a 'cultural landscape historian' to their team.
They will also commission a major cultural landscape report in order to determine Farrand's exact wishes for the site and how they can build without harming her garden.
"As we see it, our intervention into the historic fabric of the garden, in terms of the final result, will be as minimal as possible," Urban says.
The Plan
As for the lawn and walls and paths that the project will force construction crews to tear up, the architects say that these will not sustain any permanent damage.
The walls and paths will simply be removed temporarily, stored, and replaced. The grass can be replanted, and the architects say they envision Dumbarton Oaks looking almost unchanged.
But this optimism is not shared by some of the architects who have reviewed the plan.
Rowe, who is presently working on the Big Dig in Boston, says that although she believes the intentions are good, such projects are rarely successful.
"All our good intentions for preservation go somewhat out the window when you work with a construction crew," Rowe says. "These are very delicate materials--things will get broken."
The scale and history of the project means that, before building, Harvard will need approval from the Historic Preservation Review Board, and the Board of Zoning and Adjustment as well as some measure of neighborhood approval.
To halt Harvard's plans, a Web site has been created that includes a petition against the project, which opponents will eventually send to the planning boards.
Votes against Harvard by any of these boards would most likely force a lengthy appeals process and some change of building plans.
However, the one board that Harvard has already presented its plans to, the Advisory Neighborhood Committee, voted unanimously to endorse the proposal.
According to Keenan, most of the people who actually sit down with the plans believe that Harvard is acting conscientiously. But opposition will always remain.
"Even if we get all the licenses and the permits, there will just be some people who think it is too precious a territory to touch at all," Keenan says.
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