News

Harvard Medical School Cancels Student Groups’ Pro-Palestine Vigil

News

Former FTC Chair Lina Khan Urges Democrats to Rethink Federal Agency Function at IOP Forum

News

Cyanobacteria Advisory Expected To Lift Before Head of the Charles Regatta

News

After QuOffice’s Closure, Its Staff Are No Longer Confidential Resources for Students Reporting Sexual Misconduct

News

Harvard Still On Track To Reach Fossil Fuel-Neutral Status by 2026, Sustainability Report Finds

Album Review: Six by Mansun

By By R. Adam lauridsen

No, not that Manson.

This Mansun is a fourpiece from Chester, England, who scored a poppy little hit in the US a few years ago with "Wide Open Space."

With their new album Six, they're here to leave a wide open space where your mind used to be. About halfway through Six, you get the feeling the joke is on you--and Mansun is laughing.

On "Fallout," bits and pieces of Tchaickovsky's "Nutcracker" bubble up through a heavy synth and guitar layer, nearly become unlistenable, and are then blown away by a cascading guitar solo as the claustraphobia of the early song gets ripped to shreds. In the epic "Cancer," the "chorus" of the song makes one brilliant but brief appearance in the nine minute song.

Mansun sets itself apart from most art-rock by occassionally throwing the listener a life preserver. "Negative" is a slicing, biting rock stomp and "Legacy" clears the air with its crisp and tender crescendos. Overall, it's a godless, fearless, overblown and manipulative stab at the center of your music consciousness. Listening to Six, at first, is a battle. In the end, the fight makes the album even more rewarding.

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags