News

Ukrainian First Lady Olena Zelenska Talks War Against Russia At Harvard IOP

News

Despite Disciplinary Threats, Pro-Palestine Protesters Return to Widener During Rally

News

After 3 Weeks, Cambridge Public Schools Addresses Widespread Bus Delays

News

Years of Safety Concerns Preceded Fatal Crash on Memorial Drive

News

Boston to Hold Hearing Over Uncertain Future of Jackson-Mann Community Center

Album Review: Prize by Arto Lindsay

By Andrew P. Nikonchuk

After 10 years of churning out Ani DiFranco projects, Righteous Babe Records has ventured into new territory with noise-pop pioneer Arto Lindsay's new album Prize. Lindsay uses a combination of machine-generated and natural, organic instruments to lay down a complex texture for his subtle poetry.

Lindsay doesn't assault you with his lyrics; there's no screaming into the microphone or straining to reach the high notes. You must reach for the words, straining to find your own meaning in the often-cryptic songs, which drop references to everything from the Brazilian Carnival to the movie The Matrix. The poetry of the lyrics seems to take a back seat to the rhythmic music itself, which is beautifully composed and consistently interesting.

One of the highlights of the album is "Prefeelings," a jarring duet with rapper Beans from the Anti-Pop Consortium. The listener is torn between the simultaneous lyrics from Lindsay and Beans, whose harsh, quick delivery contrasts sharply with the smooth near-whisper of Lindsay.

Overall, however, the album fails to keep the listener focused. It's good background music for a Sunday morning cup of coffee with a friend, but, with a few exceptions, Prize is not an album you can just sit down and enjoy. B

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags