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"For me the problem lies in the fact that the art of writing interests me as much as the art of history (and I hope it is not provocative to say that I think of history as an art, not a science). In writing I am seduced by the sound of words and by the interaction of their sound and sense. Recently at the start of a paragraph I wrote, "Then occurred the intervention which irretrievably bent the twig of events." It was intended as a kind of signal to the reader. (Every now and then in a historical narrative, after one has been explaining a rather complicated background, one feels the need of waving a small red flag that says, "Wake up, Reader; something is going to happen.") Unhappily, after finishing the paragraph, I was forced to admit that the incident in question had not irretrievably bent the twig of events. Yet I hated to give up such a well-made phrase. Would I leave it in because it was good writing or take it out because it was not good history? History governed and it was lost to posterity (although, you notice, I have rescued it here). Words are seductive and dangerous material, to be used with caution. Am I writer first or am I historian? The old argument starts inside my head. Yet there need not always be dichotomy or dispute. The two functions need not, in fact should not be, at war. The goal is fusion. In the long run the best writer is the best historian." "History by the Ounce," Harper's Magazine, July 1965
"The human being--you, I, or Napoleon--is unreliable as a scientific factor. In combination of personality, circumstance, and historical moment, each man is a package of variables impossible to duplicate. His birth, his parents, his siblings, his food, his home, his school, his economic and social status, his first job, his first girl, and the variables inherent in all of these, make up that mysterious compendium, personality--which then combines with another set of variables: country, climate, time, and historical circumstance. Is it likely, then, that all these elements will meet again in their exact proportions to reproduce a Moses, or Hitler, or de Gaulle, or for that matter Lee Harvey Oswald, the man who killed Kennedy?" "Is History a Guide to the Future?" Address, Chicago, Historical Society, October, 1966.
"Prefabricated systems make me suspicious and science applied to history makes me wince. The nearest anyone has come to explaining history is, I think, Leon Trotsky, who both made history and wrote it. Cause in history, he said, 'refracts itself through a natural selection of accidents." The more one ponders that statement the more truth one finds...
To find out what happened in history is enough at the outset without trying too soon to make sure of the "why," I believe it is safer to leave the "why" alone until after one has not only gathered the facts but arranged them in sequence; to be exact, in sentences, paragraphs, and chapters. The very process of transforming a collection of personalities, dates, gun calibers, letters, and speeches into a narrative eventually forces the "why" to the surface. It will emerge of itself one fine day from the story of what happened. It will suddenly appear and tap one on the shoulder, but not if one chases after it first, before one knows what happened. Then it will elude one forever." Phi Beta Kappa Address Radcliffe College April, 1963
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