News
After Court Restores Research Funding, Trump Still Has Paths to Target Harvard
News
‘Honestly, I’m Fine with It’: Eliot Residents Settle In to the Inn as Renovations Begin
News
He Represented Paul Toner. Now, He’s the Fundraising Frontrunner in Cambridge’s Municipal Elections.
News
Harvard College Laundry Prices Increase by 25 Cents
News
DOJ Sues Boston and Mayor Michelle Wu ’07 Over Sanctuary City Policy
BRATTLE
La Strada, 5:45, 9:45; The Chaplin Review, 7:40, though Sunday.
CENTRAL II
The Passenger, 7:15, 9:30, weekends at 2:30, 4:45. Through Sunday.
HARVARD SQUARE
The Front Page, 3:20, 7:35; Some Like it Hot, 1:15, 5:15, 9:30.
ORSON WELLES I
Alice in Wonderland, 4:15, 6, 8, 10 p.m.
ORSON WELLES II
Citizen Kane, 4, 7:45; The Magnificent Ambersons, 6:10, 10:10, through tomorrow; The Lady Vanishes, 4, 7:15, 10:30, The 39 Steps, 5:45, 9 p.m., Sunday.
ORSON WELLES III
Blazing Carrots, 4, 5:30, 7, 8:30, 10 p.m. The Ruling Class. Peter O'Toole is a saintly-string of blonde hair and blue eyes here, playing a young aristocrat who is a psychotic, schizophrenic, paranolac, psychopathic nut, who takes his relaxation by hanging himself up on a crucifix in the parior, and who is uncomfortable in the role of noble and has no respect for his wealth or position. We're supposed to like him--he's the truly sane one, right? A worthless creep, I think--the idea is admirable, and there are a couple of good bits on the English class system, but they, come from straight parodies of the sane lorda and ladies, not from the idea of O'Toole's character, which is facile and degenerates into Incompressible religious bizarreness by the end.
Want to keep up with breaking news? Subscribe to our email newsletter.