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Harvard Quietly Resolves Anti-Palestinian Discrimination Complaint With Ed. Department
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Following Dining Hall Crowds, Harvard College Won’t Say Whether It Tracked Wintersession Move-Ins
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Harvard Outsources Program to Identify Descendants of Those Enslaved by University Affiliates, Lays Off Internal Staff
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Harvard Medical School Cancels Class Session With Gazan Patients, Calling It One-Sided
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Garber Privately Tells Faculty That Harvard Must Rethink Messaging After GOP Victory
BRATTLE
La Strada, 5:45, 9:45; The Chaplin Review, 7:40, though Sunday.
CENTRAL II
The Passenger, 7:15, 9:30, weekends at 2:30, 4:45. Through Sunday.
HARVARD SQUARE
The Front Page, 3:20, 7:35; Some Like it Hot, 1:15, 5:15, 9:30.
ORSON WELLES I
Alice in Wonderland, 4:15, 6, 8, 10 p.m.
ORSON WELLES II
Citizen Kane, 4, 7:45; The Magnificent Ambersons, 6:10, 10:10, through tomorrow; The Lady Vanishes, 4, 7:15, 10:30, The 39 Steps, 5:45, 9 p.m., Sunday.
ORSON WELLES III
Blazing Carrots, 4, 5:30, 7, 8:30, 10 p.m. The Ruling Class. Peter O'Toole is a saintly-string of blonde hair and blue eyes here, playing a young aristocrat who is a psychotic, schizophrenic, paranolac, psychopathic nut, who takes his relaxation by hanging himself up on a crucifix in the parior, and who is uncomfortable in the role of noble and has no respect for his wealth or position. We're supposed to like him--he's the truly sane one, right? A worthless creep, I think--the idea is admirable, and there are a couple of good bits on the English class system, but they, come from straight parodies of the sane lorda and ladies, not from the idea of O'Toole's character, which is facile and degenerates into Incompressible religious bizarreness by the end.
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