News
Community Safety Department Director To Resign Amid Tension With Cambridge Police Department
News
From Lab to Startup: Harvard’s Office of Technology Development Paves the Way for Research Commercialization
News
People’s Forum on Graduation Readiness Held After Vote to Eliminate MCAS
News
FAS Closes Barker Center Cafe, Citing Financial Strain
News
8 Takeaways From Harvard’s Task Force Reports
BRATTLE
La Strada, 5:45, 9:45; The Chaplin Review, 7:40, though Sunday.
CENTRAL II
The Passenger, 7:15, 9:30, weekends at 2:30, 4:45. Through Sunday.
HARVARD SQUARE
The Front Page, 3:20, 7:35; Some Like it Hot, 1:15, 5:15, 9:30.
ORSON WELLES I
Alice in Wonderland, 4:15, 6, 8, 10 p.m.
ORSON WELLES II
Citizen Kane, 4, 7:45; The Magnificent Ambersons, 6:10, 10:10, through tomorrow; The Lady Vanishes, 4, 7:15, 10:30, The 39 Steps, 5:45, 9 p.m., Sunday.
ORSON WELLES III
Blazing Carrots, 4, 5:30, 7, 8:30, 10 p.m. The Ruling Class. Peter O'Toole is a saintly-string of blonde hair and blue eyes here, playing a young aristocrat who is a psychotic, schizophrenic, paranolac, psychopathic nut, who takes his relaxation by hanging himself up on a crucifix in the parior, and who is uncomfortable in the role of noble and has no respect for his wealth or position. We're supposed to like him--he's the truly sane one, right? A worthless creep, I think--the idea is admirable, and there are a couple of good bits on the English class system, but they, come from straight parodies of the sane lorda and ladies, not from the idea of O'Toole's character, which is facile and degenerates into Incompressible religious bizarreness by the end.
Want to keep up with breaking news? Subscribe to our email newsletter.