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Classics

NO WRITER ATTRIBUTED

The Bach Society Orchestra has played some ambitious programs this year. Saturday's may well be their most difficult. The Faure Pelleas et Melisande suite is not easy; nor is Stravinsky's Orpheus. Having picked a vacation weekend to perform, the Bach Soc may well have dug its own hole. Still, Saturday night will be a good chance to hear non-warhorse material in a distinctly relaxed atmosphere.

Throughout the year, the Museum of Fine Arts in Boston produces an impressive array of chamber concerts. On Tuesday the 10th, baroque flutist Carol Epple will lead a program at the Museum. She is a very good player and can prove that ancient instruments do not have to be played out of tune. Incidentally, admission to the Museum is free on Tuesdays from 5 until 9: a good chance to look around before hearing the concert.

SYMPHONY HALL. Handel and Haydn Society. Bach: St. John Passion. Tickets: 266-1492. March 30, 8:30 p.m.

SANDERS THEATER. Bach Society Orchestra. Faure and Stravinsky. Tickets sold at the door. March 31, 8:30 p.m.

WELLESLEY COLLEGE. Slater Center. Claude Akive, voice and guitar. Chansons of Germany, France, England, Spain and Italy. April 3, 8:00 p.m.

SYMPHONY HALL. Lorin Maazel conducting the BSO. Prokofiev: Third-Piano Concerto (Israela Margalet, soloist); Sibelius: Second Symphony. Tickets: 266-1492. April 3, 8:30 p.m.

MUSEUM OF FINE ARTS. Chamber music for baroque flute, baroque oboe, and harpsichord. April 10, 7:00 p.m.

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