News

Harvard Medical School Cancels Student Groups’ Pro-Palestine Vigil

News

Former FTC Chair Lina Khan Urges Democrats to Rethink Federal Agency Function at IOP Forum

News

Cyanobacteria Advisory Expected To Lift Before Head of the Charles Regatta

News

After QuOffice’s Closure, Its Staff Are No Longer Confidential Resources for Students Reporting Sexual Misconduct

News

Harvard Still On Track To Reach Fossil Fuel-Neutral Status by 2026, Sustainability Report Finds

Recommended . . .

NO WRITER ATTRIBUTED

Room at the Top (at the Kenmore). Perhaps the best British film since Guinness and Hawkins teamed up in The Prisoner, this is a deeply penetrating and significant study of English sex and society, with some of the frankest dialogue ever to come across the screen. Won award for "best performance by an actress" (Simone Signoret) at Cannes; named "best picture of the year, 1959" by the British Film Academy.

Samurai (at the Telepix). A superior Far Eastern "Western," recounting the life of the legendary Japanese warrior Musashi, powerfully portrayed by Toshiro (Rashomon) Mifune. Handsomely color-photographed, this won an Academy Award as "best foreign film." For those whose Japanese is shaky, there are excellent English subtitles.

South Pacific (at the University Theatre). Despite the ill-advised intermittent use of color filters, there still remains the classic Rodgers & Hammerstein show, one of the glorious monuments of our cultural heritage. France Nuyen is a delight as the object of John Kerr's love.

The Last Bridge (at the Brattle, Sunday through Tuesday). Maria Schell in another of her extraordinarily moving screen portrayals--a beautiful love story told against the background of European battle.

I Was Monty's Double (at the Exeter). A witty script in which Clifton James, playing three roles, re-enacts the true and magnificent hoax that the British played on the German high command in World War II.

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags