News
Harvard Quietly Resolves Anti-Palestinian Discrimination Complaint With Ed. Department
News
Following Dining Hall Crowds, Harvard College Won’t Say Whether It Tracked Wintersession Move-Ins
News
Harvard Outsources Program to Identify Descendants of Those Enslaved by University Affiliates, Lays Off Internal Staff
News
Harvard Medical School Cancels Class Session With Gazan Patients, Calling It One-Sided
News
Garber Privately Tells Faculty That Harvard Must Rethink Messaging After GOP Victory
Three theatre experts joined last night in calling for a Harvard Theatre as a useful training ground for undergraduates planning a drama career. Their recommendation came in answer to questions from the floor at the Conference on Careers in Kirkland House Junior Common Room.
Playwright Robert Anderson '39, director Garson Kanin, and set designer Donald P. Oenslager '23 said that a formal theatre would enable undergraduates to gain valuable stage experience while still in College. Anderson cautioned, however, that "too much emphasis should not be placed on the physical setup."
The College, however, has produced important figures in the theatre--like Robert E. Sherwood '17, John Mason Brown '23, Brooks Atkinson '17, and John G. Kerr '52--with essentially the same facilities as are now available to student organizations, Anderson pointed out.
Each of the three speakers discussed his profession and cautioned dabblers that success in the theatre requires constant sacrifice. The College graduate, Anderson said, must "shake the ivory tower from his being."
Anderson said, prior to his speech, that he was pleased with the increased theatre interest within the College, and dismissed as "unrealistic" an opinion recently expressed that undergraduates are producing too many dramatic shows.
Anderson is the author of "Tea and Sympathy," and Oenslager designed sets for the current Broadway play "Janus."
Want to keep up with breaking news? Subscribe to our email newsletter.