News

Harvard Researchers Develop AI-Driven Framework To Study Social Interactions, A Step Forward for Autism Research

News

Harvard Innovation Labs Announces 25 President’s Innovation Challenge Finalists

News

Graduate Student Council To Vote on Meeting Attendance Policy

News

Pop Hits and Politics: At Yardfest, Students Dance to Bedingfield and a Student Band Condemns Trump

News

Billionaire Investor Gerald Chan Under Scrutiny for Neglect of Historic Harvard Square Theater

Viva Zapata

At the Metropolitan

By William Burden

The opening shot of a bullet-pocked adobe wall characterizes this "biography" of Emiliano Zapata, Mexico's peasant revolutionary. Twentieth Century Fox concentrated on the bloodshed and violence of Zapata's rebellion, and although Viva Zapata has captured the force of this brutality, it stops right there.

Within its sphere, though, this picture benefits from imaginative direction and photography. The scenes are forceful, realistic, and historically accurate, but in contrast. Marlon Brando's characterization of Zapata carries all the life, fire and determination of a snowman.

Brando's sleek, well-fed countenance clashes with his role of a down-trodden, land-hungry peasant. His sullen, unchanging expression and aggravating yes-no-ugh dialogue gives an impression of blank stupidity, and his occasional philosophical pronunciamentos seem completely out of character. Brando's Zapata could never be the leader of 40,000 men, the symbol of a social movement, or the hero of Mexican folklore--in short, he could not be the real Zapata or even a believable facsimile. And with its central figure reduced to such a nonentity, the tale of Emiliano Zapata becomes a trail of disjointed, purposeless blood and thunder.

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags