News
Garber Privately Tells Faculty That Harvard Must Rethink Messaging After GOP Victory
News
Cambridge Assistant City Manager to Lead Harvard’s Campus Planning
News
Despite Defunding Threats, Harvard President Praises Former Student Tapped by Trump to Lead NIH
News
Person Found Dead in Allston Apartment After Hours-Long Barricade
News
‘I Am Really Sorry’: Khurana Apologizes for International Student Winter Housing Denials
For the confirmed D'Oyly Carte enthusiast, J. Arthur Rank's current production of "The Mikado" will probably be a disappointment. While a play like "Hamlet" falls naturally into a movie, even after it has been dismembered and reassembled differently, "The Mikado" on celluloid somehow just doesn't seem right. Perhaps this is because musical plays are basically improbable; choruses drift on and off stage for no apparent reason, and players sing lines which would be better spoken. But on the stage no one notices these irregularities, and certainly no one cares.
The Gilbert libretti were written exclusively for the stage, and no amount of editing could possibly adapt them successfully to the screen. J. Arthur Rank's attempt is almost bizzare. Its cast is a mixture of stage and screen actors, each group obliged to assume the function of the other, and neither succeeding very well.
Happily the film has its redeeming features--to be specific, Martyn Green, Sidney Granville, and the D'Oyly Carte Chorus. Known to every loyal Saveyard, oldtimers Green and Granville don't seem to mind the cameras at all; a gag's a gag, and these two know how to use one. Sydney Granville, as Pooh-Bah, looks more like Friar Tuck than Lord High Everything Else, but he plays the part for all its' worth. As for Martyn Green, anyone who has ever seen the man in action knows that the show could rock and he'd still save it.
Want to keep up with breaking news? Subscribe to our email newsletter.