News

Harvard Grad Union Agrees To Bargain Without Ground Rules

News

Harvard Chabad Petitions to Change City Zoning Laws

News

Kestenbaum Files Opposition to Harvard’s Request for Documents

News

Harvard Agrees to a 1-Year $6 Million PILOT Agreement With the City of Cambridge

News

HUA Election Will Feature No Referenda or Survey Questions

UNIQUE SHOW AT THE MAJESTIC

NO WRITER ATTRIBUTED

The Majestic Theatre presented to its audience last evening a vaudeville show unique in every form. From start to finish the audience lost itself completely in the humor and merriment provided by this week's all-star cast. The "Seven Musical Spillers" brought back reminiscences of Ed Wynn's "Black and White" orchestra; Earl Richard, of Passing Show fame, entertained with "coon" wit and song; the "White Way Trio" gave choice selections from Broadway's repertoire of ragtime, pathos and humor; William Moran and Al Wiser proved that they were not only good jugglers but also adept comedians; the "Glorias" charmed their audience with their clever interpretation of pantomine and fancy ball-room dancing; while "Permane and Shelly" in "Pulley-Pulley" turned the tables on their audience, proving to be clever musicians and not acrobats.

These entertainers then united their ability; and, in the "Chuckles of 1921", the audience was treated to a musical comedy that proved to be of exceptional quality. It was well-staged and well-organized; it vibrated with humor and song; while its chorus had both beauty and talent; in fact, it is one of the best trained choruses we have seen in Boston this year. In a word, Jean Bedini in presenting Clark and McCullough in the "Chuckles of 1921" has given to the vaudeville-going lover two men known for their ready wit and clever singing.

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags