News
Community Safety Department Director To Resign Amid Tension With Cambridge Police Department
News
From Lab to Startup: Harvard’s Office of Technology Development Paves the Way for Research Commercialization
News
People’s Forum on Graduation Readiness Held After Vote to Eliminate MCAS
News
FAS Closes Barker Center Cafe, Citing Financial Strain
News
8 Takeaways From Harvard’s Task Force Reports
The loan collection of primitive paintings exhibited at the Fogg Art Museum has now been supplemented by an exhibition of fifteenth and sixteenth century engravings in the print-room. These prints have been selected from the collection of the Museum, with additions from Mr. Francis Bullard's collection. It illustrates the development of copperplate engraving from its beginning to the time of the three great sixteenth century masters: Durer, Lucas van Leyden, and Mariautonio Raimondi. The prints shown are remarkable not only for the great beauty of the impressions but also in some instances, for their extreme rarity. The Otto print, for example, is a unique impression, the Assumption of the Virgin is one of only four known impressions, and Pollajuolo's Gladiators, the only plate now believed to have been engraved by the artist, is one of but few impressions known to exist.
Want to keep up with breaking news? Subscribe to our email newsletter.