News

Harvard Medical School Cancels Student Groups’ Pro-Palestine Vigil

News

Former FTC Chair Lina Khan Urges Democrats to Rethink Federal Agency Function at IOP Forum

News

Cyanobacteria Advisory Expected To Lift Before Head of the Charles Regatta

News

After QuOffice’s Closure, Its Staff Are No Longer Confidential Resources for Students Reporting Sexual Misconduct

News

Harvard Still On Track To Reach Fossil Fuel-Neutral Status by 2026, Sustainability Report Finds

M. Le Roux's Lecture.

NO WRITER ATTRIBUTED

M. Le Roux delivered the third lecture of his series in Sanders Theatre yesterday afternoon on "Daudet, comme Peintre de la France provinciale du Midi."

M. Le Roux began by giving an account of his personal relations with Alphonse Daudet. He told of the encouragement he received from Daudet and of how he wrote some of his earlier essays in collaboration with him.

Daudet's first success, "Risler aine," shows the influence of Flaubert. In the "Nabab" and in "Les Rois en exil," not the customs of France, but the life of a cosmopolitan public is depicted. It is in "Numa Roumestan," in the "Tartarius," and especially in his marvelous short stories that we get a picture of life and manners in Southern France.

The life of the man of Southern France is a happy medium between the lazy, and therefore melancholy existence of the Spaniard, and the strenuous, rugged life of the Northerner. In this southern society where man is more easy-going and gallant than hardworking, nearly all responsibility falls on woman. Always pious and valiant, she bears on her shoulders all the duties of the home, and has won for herself the affection and admiration of all Frenchmen.

M. Le Roux will deliver his next lecture tomorrow, on the subject, "Maupassant, comme Peintre de l'Instinct de la Race."

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags