News
Penny Pritzker Says She Has ‘Absolutely No Idea’ How Trump Talks Will Conclude
News
Harvard Researchers Find Executive Function Tests May Be Culturally Biased
News
Researchers Release Report on People Enslaved by Harvard-Affiliated Vassall Family
News
Zusy Seeks First Full Term for Cambridge City Council
News
NYT Journalist Maggie Haberman Weighs In on Trump’s White House, Democratic Strategy at Harvard Talk
M. Doumic delivered his sixth lecture on Saturday afternoon on "The Theatre of Alfred de Musset." The translation of M. Doumic's summary follows:
The Plays of de Musset are the only theatrical works of French Romanticism which have lasted. They were not written to be played, and this fact partly explains their character and value. Some of the plays are merely amusing trifles, now out of fashion.
Fantasio shows the fantastic character of the author's writing, both in Fantasio's conversation and in the strange method he takes to prevent Elizabeth's marriage. De Musset was one of the best painters of the young girl. Elizabeth is the type of the young girl of Romanticism. Cecilia is not a romantic type but a simple candid young girl.
The author has presented his own character in Fantasio, and in all his other plays for that matter. In "Jacquetin" he has drawn an adorable and hateable picture of the heartless woman.
In "Les Caprices de Marianne" we see the perverseness of love. Marianne loves Octave, just because he does not love her.
"On ne Babine pas avec l' Amour" is the deepest and most substantial dramatic work of de Musset. In it the author has put most of his vivacity, gaiety and eloquence.
In this little group of plays is a combination of dreaming and reality, gaiety and sadness; a power of analysis, a delicacy of sentiment, and a strength of imagination which recall respectively Racine, Marivaux and Shakespeare.
Want to keep up with breaking news? Subscribe to our email newsletter.