News

Summers Will Not Finish Semester of Teaching as Harvard Investigates Epstein Ties

News

Harvard College Students Report Favoring Divestment from Israel in HUA Survey

News

‘He Should Resign’: Harvard Undergrads Take Hard Line Against Summers Over Epstein Scandal

News

Harvard To Launch New Investigation Into Epstein’s Ties to Summers, Other University Affiliates

News

Harvard Students To Vote on Divestment From Israel in Inaugural HUA Election Survey

PROFESSOR PAINE'S RECITAL.

NO WRITER ATTRIBUTED

THE first of Professor Paine's annual recitals was given last Friday evening in Boylston Hall. Before beginning his programme, he spoke briefly of the origin and development of instrumental music and of the Sonate form in particular giving the reasons for the number and sequence of the movements as well as the order of their component parts. His programme consisted of Bach's Italian Concerto in F major; Sonate Pathetique and Sonate op. 109 by Beethoven; Impromptu in G b major and Nocturne in E major by Chopin; and the Hunting Chorus from Mendelssohn's Songs without Words. The programme was one alike interesting in representing the evolution of instrumental music and strong in contrast of musical imagination, as well as highly enjoyable in its individual works, which were rendered in a conscientious manner. Mr. Paine's interpretation was especially noteworthy in the Bach Concerto. The audience - a large part of which, we are glad to say, consisted of students - seemed interested in all the numbers, paying close attention and warmly applauding. The characteristic Hunting Chorus met with especial favor.

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags